EXHIBITIONS is a postgraduate diploma that offers specialisation in the design and creation of new exhibition formats and contents. From a temporary perspective, it reviews, takes an in-depth look and renews the different elements inherent to it, such as curating exhibitions, the creation of temporary experiences, the establishment of spaces for interaction and the configuration of new audiences.

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→ Postgraduate Diploma in Curating Exhibitions, Temporary Spaces and Creative Practices by the UAB
→ 11 February to 23 July 2022
→ Friday, from 4 pm to 8 pm and Saturday, from 9 am to 1 pm
→ Blended learning (Friday and Saturday virtual and in the month of July in person in the mornings from Monday to Friday) - 30 ECTS
→ 3.600 € (10% discount for former students and UAB Premium Alumni)

Thinking, creating and innovating in the area of exhibitions is becoming increasingly more a task of managing complexities and transdisciplinary confluence. Curation based on the selection, organisation and thematisation of contents; design and art as creative practices that generate and transform spaces; interaction, mediation and communication to activate other audiences; these are all elements that need to be interrelated to seek innovative approaches in the configuration, presentation and activation of cultural proposals. We are in the midst of significant changes in the organisation of work processes in such a way that relationship networks and collaborative action practices are transforming the production of cultural meaning. From this perspective, the programme sees itself as an action platform based on research, dialogue, experimentation and critical thought for it to have a practical impact on the new trends in exhibition design and temporary spaces, interactive experimentation, and the hybrid configurations that permit the more traditional exhibition space to be transcended. It is a platform that is fed by the learning generated on the basis of the transversal convergence between curating professionals, art, design and architecture, and other areas of the humanities or sciences, which become inspirational while generating contents and different ways of communicating them.

EXHIBITIONS features the collaboration of the Museu del Disseny de Barcelona, the Museu Nacional d'Art de Catalunya (MNAC) and the Centre de Cultura Contemporània de Barcelona (CCCB). All these institutions work in a different way on exhibition programming and are taking part in the postgraduate course by contributing to the proposal of a place for research and experimentation around the creation of temporary spaces, exhibition experiences, the configuration of contents and the establishment of new audiences.

EXHIBITIONS, the postgraduate diploma in Curatorship, Design and Spaces rolls out a programme divided into four sections: Research Seminars, Case Studies, Talks and Final Project.

Programme

The postgraduate course is divided into four sections: Research Seminars, Case Studies, Talks and Project.

Both in the Case Studies and in the Talks, the postgraduate diploma tackles the contents from a series of central themes that are determined in collaboration with, and with the participation of, a number of collaborating institutions. The aim is to be able to relate the postgraduate diploma to lines of work that are active.

Module 1. Research seminars – (9 ECTS)

The Research Seminars module investigates and constructs the foundations for conceiving and organising exhibitions. Students work on the conceptualisation and development of the exhibition project, research methodologies and the creation of narrative structures; they analyse the aspects related to the exhibition space and its interactive dynamic with the public, as well as other formats for the organisation of parallel activities and educational programmes.

It is comprised of the following sections:

Foundations of curating and narrative practice
The exhibition space as an element of interaction
Elements for mediation

Module 2. Case studies – (9 ECTS)

The Case Studies module consists of involving the student in specific cases, in which situations are given that have to be solved within the framework of the complexity of elements that are involved. The module is done with the collaboration of institutions in Barcelona that schedule exhibitions and cultural activities from different starting points. Specifically for this edition, we have the collaboration of the Museu Nacional d'Art de Catalunya, Museu del Disseny de Barcelona and CCCB.

Through a series of case studies linked to these collaborating institutions, students are able to analyse in depth the various fields and agents that take part in them. The starting point of the sessions are exhibitions that have already been done or that are currently under way, and features the participation of roles such as the curator, the artists (understood as creators-producers, etc.), the designer, the mediator, and people connected with the institutional context.

Based on the case studies, the participants have to obtain experience and practice in curating, critical reflection and the design of spaces. The module includes guided tours, lectures, round tables and interviews outside the classroom.

It is organised as follows:

Museu Nacional d'Art de Catalunya case study. Historical or themed discourse exhibitions with original work.
Museu del Disseny de Barcelona case study.
CCCB case study.

Module 3. Talks – (6 ECTS)

The Conversations module is structured on the basis of dialogue and debate sessions with invited specialists, and subsequent workshop sessions in which the concepts discussed with the guests are worked on. The participants in each edition vary according to the lines of work proposed. These lines of work are configured within the programme "The Curatorial Imagination".

How can we narrate the production of ideas, mental images, concepts and dreams in the curatorial field? What kind of production are we referring to when we talk about the Imagination in a field as specific as that of exhibition creation, where multiple forms of creativity overlap and where hospitality, negotiation, mediation and budget are generally determining factors?

How can we imagine new collective gestures, ephemeral communities of things and never-before-seen uses of institutional space? How can feminist, post-colonial and critical impulses redefine the way we produce mental material? Several curators will answer these questions, or variations of them, and talk about their practice.

Guest speakers in the 2020- 2021 edition:

Yasmil Raymond, rector Städelschule and director Portikus, Frankfurt-amMain.
Andrea Rodríguez Novoa, curator and co-founder BAR Project, Barcelona.
María Bolaños, Director of the National Museum of Sculpture, Valladolid.
Aimé Iglesias Lukin, director and curator, Americas Society, New York.
Dorothée Dupuis, founder and director, Terremoto, Mexico City.
Inés López-Quesada and Silvia Ortiz, co-founders and directors, Travesía Cuatro, Madrid & Mexico City.

Module 4. Project – 6 ECTS Credits

The module that consists of the production of a curating project, exhibition design or mediation project that responds to a motivation and to the student’s independent work. The aim is to produce a final postgraduate project that the student will have to carry out from the second part of the academic year with the tutored mentoring of one of the teachers taking part. The presentation of this project will be made public on completion of the postgraduate course.

Email: postgraus(a)eina.cat
Telephone: +34 93 203 09 23