The survival of traditional stamping systems -with the material implications of simultaneously multiplying and limiting the editions of original graphic work- and the coexistence with the complete dematerialization of art -which could conflict with the dynamics established in the sector- should focus the debate on this subject.
Contemporary editions is proposed as a territory of experimentation where analogous practices of generation and speculation with multiple works can coexist in a post-digital context that seems to lead to the dissolution of authorship, the infinite reproducibility or the mutant immateriality of editorial productions.
Proceedings